Underglaze in so many ways. Five liquid ranges, plus our awesome chalk and pencil options.
The power of one. Just pure, solid colour, no tricks or pooling effects here. Like your glaze straightforward and classy, this one is for you. Keep it sleek on low, mid, or high fire pieces.
The ultimate wildcard. With these glazes, every piece is one of a kind. Throw in some crevices, experiment with firing temps, and watch your art do its thing.
The show stopper. Glorious crystals bringing in the wow factor! Available in low and mid-fire, these beauties can craze like nobody’s business, so maybe don’t serve up dinner on them. But as eye candy? Next level.
For work that pops (literally). These glazes create a raised, textured effect that doesn’t flatten out in the firing. Great for linework, sponging, or even a little palette knife action. Works wonders at low or mid-fire.
Color treat, without the heat. These bad boys don’t go near a kiln – just like regular acrylic paint, but made for bisque. Perfect for kids’ programs and bisque art parties; just paint and go, no baking required.
Lock it in, for the win. The final seal! Work so good you want to eat off it? Food-safe option is for you. Just like your stuff shiny? We’ve got your back at low, mid, or high fire.
Keep the studio stocked. For high-volume glaze fiends who want to minimise waste. Buy in bulk and mix as you need. Awesome way to get a little more bang for your buck.
You do you. Like a little DYI glaze making? – be our guest – our raw materials are good to go. Mix and match to your heart’s content and create your very own unique glaze.
Underglaze in so many ways.
Five liquid ranges, plus our awesome chalk and pencil options.
The power of one. Just pure, solid colour, no tricks or pooling effects here. Like your glaze straightforward and classy, this one is for you. Keep it sleek on low, mid, or high fire pieces.
The ultimate wildcard. With these glazes, every piece is one of a kind. Throw in some crevices, experiment with firing temps, and watch your art do its thing.
The show stopper. Glorious crystals bringing in the wow factor! Available in low and mid-fire, these beauties can craze like nobody’s business, so maybe don’t serve up dinner on them. But as eye candy? Next level.
For work that pops (literally). These glazes create a raised, textured effect that doesn’t flatten out in the firing. Great for linework, sponging, or even a little palette knife action. Works wonders at low or mid-fire.
Color treat, without the heat. These bad boys don’t go near a kiln – just like regular acrylic paint, but made for bisque. Perfect for kids’ programs and bisque art parties; just paint and go, no firing required.
Lock it in, for the win. The final seal! Work so good you want to eat off it? Food-safe option is for you. Just like your stuff shiny? We’ve got your back at low, mid, or high-fire.
Keep the studio stocked. For high-volume glaze fiends who want to minimise waste. Buy in bulk and mix as you need. Awesome way to get a little more bang for your buck.
You do you. Like a little DYI glaze making? – be our guest – our raw materials are good to go. Mix and match to your heart’s content and create your very own unique glaze.
Home > Our Products > Monochrome Glazes > Stoneware Glaze
Stoneware artists, rejoice! These glazes give you vibrant colors and a glossy finish—in all their lead-free, non-toxic glory.
Three coats – crosshatched at right angles, and you’re golden. Little nervy about streaks (we feel you)? Grab a soft glazing brush and go wild.
STONEWARE GLAZE RANGE
Mid - High Fire (Cone 6 - 10)
PRODUCT DETAILS
FOOD SAFE IF ENTIRELY COVERED
INTERMIXABLE
BLEEDING ON COLORS THAT MEET
APPLY ON BISQUE
CONFORMS TO ASTM D4236
A RARETY
You won't find many ranges like this - A monochrome glaze that fires to Cone 10!
We didn’t want you lot to be forgotten in the glazing world, so this range is for you.
BASIC USAGE GUIDE
The Stoneware Glaze range may seem small, but the possibilities are endless.
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We’re beginner Friendly and here to help (FAQ)
We wouldn’t recommend mixing the colors themselves, but feel free to work with different ranges on the same piece! Just make sure you stick to the same firing temperatures across the ranges.
Also be aware that some glazes can run during the firing process! So test, test, test.
It sure is! If you fire it correctly and don’t see any crazing, pinholing or any other unwanted effects.
Crazing can happen for a number of reasons, BUT the number one reason is there is mismatched thermal expansion of the bisque and glaze.
Crazing can happen immediately or over time (the worst!). Other reasons are the glaze is applied too thick or under firing the piece.
Delayed crazing happens when moisture is absorbed by the body causing it to expand.
Say goodbye to that piece, BUT read on to understand why this happens.
Pin holing basically is due to the expulsion of gases from the body or glaze due to:
We can’t emphasis enough the patience you need when applying a glaze.
Could be a number of reasons, however, our psychic abilities are telling us it’s either underfired, the glaze is too thick, or your clay isn’t the right fit for the glaze.
Please store these in a cool, dark place with the lid tightly sealed. If you find it has dried out over time, you can add some Brushing Medium to help the glaze flow again and it will be good as new! Just give it a good shake before using it again.